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Artikel nr : PACK3919
Kortnamn : 2 x Mackie SRM450 V2 + 1604vlz4
Märke : 2 x MACsrm450 + MAC1604vlz3
Vikt : 45.50 kg
Volym : 0.20 m3
 Läs mer på tillverkarens hemsida

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2 Mackie SRM450 V2 aktiva Processorstyrda högtalare med helt extrem ljudkvalitet och dubbla slutsteg i varje 2x400W rms + 1 Mackie 1604VLZ4, Professionell 16-4-2-mixer med extremt lågt brus och högsta studioljudskvalitet

Produkter som ingår i paketet

•2-vägs dubbelförstärkt, optimerat aktivt system
•Inbyggd precision 24dB/okt. Linkwitz-Riley elektronisk crossover
•Hög-output precisions titanium kompressions driver
•300mm long-throw låg-frekvens omvandlare
•Studio-kvalitet maximum spridning horn design
•Hög SPL Output/Låg distortion
•Elektronisk tidskorrektion, fasgrupering och equalization
•Servo Feedback kontrollerad woofer
•Slagtålig, lättvikts polypropylen kabinett

Mackie är sedan länge industristandard och håller mycket hög kvalitet som få kan jämföra sig med.
Mackies VLZ3-mixers har erkänt omatchat lågt brus, och ger dig här en prispressad proffsmixer i smidig design.

•Ny ultra-låg brus VLZ3 design med högsta möjliga headroom
•16 studio-grade XDR2™ Utökat dynamiskt omfång mic förstärkare med:
 - Ultra-bred 60dB gain omfång
 - 130dB dynamiskt omfång
 - +22dBu line input handling
 - Utökat lågfrekvens omfång
 - Distortion under 0.0007% (20Hz - 20kHz)
 - Fantommatning för studio kondensatormikrofoner
•16 high-headroom line inputs, 16 kanal inserts
•Avancerad DC puls transformer RF rejection
•60mm långlivade logaritmisk-taper faders
•4 Aux sends, level, pan, -20dB/Solo och Overload/Mute_LEDs på varje kanal
•4 stereo Aux returns, 8 Direct outs, 4 Group/Bus outputs
•3-band Aktiv EQ med svepbar midrange
•18dB/okt. 75Hz Lo-Cut filter
•Kontrollrum/hörlurs multi-input ljudkälls matrix
•Balanserade 1/4" inputs och outputs (förutom inserts)
•Rack-monterbar design med tre fysiska konfigurationer via roterande I/O pod
•Tätade rotarykontrollers för skydd mot damm och grus
•Ny Multi-Volts strömförsörjning för global användning
•Robust stålchassi

WE WORKED TWO YEARS TO GET IT RIGHT It doesn´t matter if you´re a DJ, church, or Iron Maiden tribute band, you need loudspeakers that won´t crap out in the middle of a show, or distort when you turn them up past 3. That´s why we designed the SRM450—the first and only portable active 2-way loudspeaker with onboard bi-amplification, active crossovers, time-correction and renowned Mackie sound quality. Thanks to countless hours of R&D—and one very-hard-to-please Greg Mackie—the SRM450 delivers real, accurate bass down to 55Hz; midrange that´s free from ear-fatiguing harshness; and detailed treble out to 20kHz. Better still, the SRM450 offers astonishingly wide dispersion that lets your whole audience hear clearly, whether they´re in the front, back, or way out on the sides of the room. Above all, the SRM450s crank! Without a hint of distortion, they effortlessly achieve sound pressure levels beyond the legions of look-alike portable loudspeakers on the the market today. ULTRA-WIDE DISPERSION Ever been to a show where the music sounds great in front, but craps out once you get to the back or sides of the room? We have, and that´s why we gave the SRM450 a multi-cell horn throat aperture. Sure, it´s hard to say, but what it does is allow for much wider and more even dispersion of high and mid frequencies — so the wallflowers get the same great listening experience as those up front. TIMING IS EVERYTHING In most loudspeakers, the compression driver that reproduces mid and high-frequencies is located deep inside the enclosure, while the low-frequency driver is much closer to the front of the enclosure. With this setup, bass arrives at listeners´ ears sooner than treble, muddying the sound. We remedied these unfortunate laws of physics with high-zoot electronics which allow precise alignment among the system components with zero signal degradation. BETTER THAN YOUR AVERAGE BOX Anyone with a factory can build a box and stick some speakers in it (and that´s just what many do). But low-frequency transducers in square boxes can create resonances that reflect off the rear wall and pass through the woofer cone out of phase, and ready to mess up your sound. The SRM450 enclosure is an asymmetrical monocoque design with no parallel surfaces, causing mid and high frequency resonances to be reflected at angles into internal damping materials, instead of interfering with the woofer doing its thing. DUAL FR SERIES AMPLIFIERS Let´s face it, 99 percent of the time compact PA speakers are cranked to the max. That´s why the SRM450´s beefy internal 400-watt amplifier section features dual FR series amps — one for each driver — both designed for extreme output. The amp section is built around a huge toroidial transformer, massive storage capacitors, and state-of-the-art output transistors, all adding up to superior sound, night after night. SERVO FEEDBACK CONTROLLED LF TRANSDUCER FOR STUNNING BASS Based on Mackie´s award-winning HR824 studio monitor technology, the servo feedback damping electronic circuit within the SRM450 provides amazing results. The circuit "locks" the woofer in place with the positive and negative outputs of the amplifier in a way that no external amp and passive woofer can ever achieve. This creates a solid direct-coupling that delivers extremely deep bass from a small cabinet. SUPERB FLOOR MONITOR When the first warranty cards came back, we noticed that a lot of folks were raving about what a great floor monitor the SRM450 made. Okay, it´s super accurate. And it´s designed to be tilted. But there had to be more reasons than that.

How do you improve on perfection? The Mackie 1604-VLZ Pro has been the long-running favorite of audio professionals the world over for its sound quality, ease of use, and rugged dependability. Thousands of recordings have been tracked and mixed solely on a 1604. Designing a mixer to take its place was a tremendous challenge, indeed. But our engineering team thrives on this kind of stuff, so they tackled this one head on, creating one of the best compact mixers we’ve ever offered: the Mackie 1604-VLZ3. While keeping the features and functionality of its predecessor, the Mackie 1604-VLZ3 offers even greater headroom than the original. We could have stopped right then and there, but we’re obsessed with perfection. So we redesigned the Mix Bus and made a few circuitry upgrades to the EQ, giving the 1604-VLZ3 a highly intuitive, more musical feel. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1604-VLZ3. You’ll think it’s perfect, too. VASTLY SUPERIOR XDR2™ MIC PREAMPS Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1604-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range. PROFESSIONAL FEATURES Don´t let its size fool you. The Mackie 1604-VLZ3 mixer is packed with premium features on every channel; 75Hz Low-Cut filters, four Aux Sends, inserts, phantom power, constant-loudness Pan controls, OL (overload) and signal present LEDs, sub and main mix assign switches, and assignable AFL/PFL Solo switch. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, high-volume headphone amplifier, channels 1-8 direct outs, and balanced XLR and balanced/unbalanced TRS outputs. THREE-BAND EQUALIZATION WITH SWEEPABLE MIDS High-quality equalization is a must for any good mixer, that´s why we didn´t cut any corners when it came to our 3-band Active EQs—and why we include them on every channel. Tremendous resources went into optimizing the center points of the channel EQ. As a result, we put the Lows at 80Hz and the Highs at 12kHz. Midrange compensation is handled by a peaking control with a two-octave variable frequency center. This means the Mids can be swept from a low of 100Hz, all the way up to 8kHz—with a boost or cut of 15dB. This gives VLZ3 mixers practical, useful equalization, providing not only sonic enhancement and correction, but also the tone-shaping facility to actually improve the musical nature of the original signal. SPLIT-MONITORING With split monitoring, you can use the first eight channels for your sound sources: vocal mics, drum mics, etc. From there, the channels manipulate the sound, but are not assigned to the output section. Instead, they´re patched from the channel´s DIRECT OUT jacks to the corresponding multitrack input (DIRECT OUT 1 to multitrack input 1, 2 to 2, 3 to 3, etc.). The signals will now be recorded or passed directly through the multitrack, depending on each track´s record-ready status. The outputs of the multitrack are then patched to the next eight LINE inputs on the 1604-VLZ3 (multitrack out 1 to LINE input 9, 2 to 10, 3 to 11, etc.). Aha! That´s why it says "TRACK 1" next to channel 9´s fader, "TRACK 2" next to channel 10, and so forth. These channels (9–16) will be assigned to the mixer´s output section, delivering the signals to their ultimate destination, which could be your mixdown 2-track, your control room system, or your headphones—making the 1604-VLZ3 a truly powerful 8-track recording console. ROTO-WHAT? Our ingenious Rotopod VLZ adds a tremendous amount of diversity to the 1604-VLZ3—it’s like having several different mixers in one! The optional Rotopod is a finely crafted all-steel fixture that allows the 1604’s patchbay to be rotated to one of three unique positions. With the Rotopod kit you can configure your 1604 for desktop use with the jack field facing up, or out (standard, right out of the box). For rackmount installations, the Rotopod makes it easy to access the patchbay from either the front or rear of the rack. With the Mackie Rotopod, you get to choose the patchbay position that best suits your needs. BUILT MACKIE TOUGH Every VLZ3 mixer is built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors´ flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs “ride" just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They’ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them. SUPERIOR SOUND QUALITY Above all, the 1604-VLZ3 offers superb sound quality, wide dynamic range and headroom, and low noise, so you can create professional quality recordings and/or broadcast-quality soundtracks. Whether you need a high-quality 16-channel mixer for the stage, the studio, or even the road, you won´t find a a more perfect one than the 1604-VLZ3.

Ett års garanti. Mackie har extremt hög kvalitet.
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